Tag Archive for 'question'

Unconventional Non-Profit Fundraising (casestudy: Creative Commons)

UPDATE and NOTE: This is a year old post, so its not up-to-date…oops…clearing the queue…The original post is here.

I’ve been trying to come up with unconventional ways to raise money for the small non-profit. Yesterday, someone decided to auction off their old web domain and give 90% of the money to Creative Commons. So, I started to think about all the code that is sitting on developers’ shelves, old domains, etc. I wonder if other developers would consider auctioning off domain names, old code, etc, and or just outright donating old code, domain names, etc. to Creative Commons. This code would get licensed so that it would be Open Source and I would even take the time to make a place for it that would be visible and accessible.

Does anyone have any code, failed or sleeping dot.com projects, and/or domain names they would like to donate to CC? CC could then decide what to do with these (auction, put online, developer further, etc). From the likes of the domain name auctions on Ebay, this is a great way to raise funds. However, I’m quite surprised that not more people are trying to sell their code on-line on ebay.

Also, I just now started to wonder about how to apply the similar logic of fundraising of naming certain properties after people, for the web. Like, how much of a donation would it take to get certain tools, sections of a website, or campaigns named after donors?

Maybe I should try this for my site. I could name my next open source tool after someone, for a donation of $1000 USD. Hmmm…maybe I should rename an old project if anyone is interested in this :) Ideally, also, the name would just be a name and the code would all stay as open source.

What other unconventional tactics can other people think of that would help CC or any nonprofit in the world, raise money to stay in operation? What new possibilities are there? So much time and money is spent on adapting and revolutionizing business, but what about simple nonprofit operations like fundraising?

The SOMA Move Scene Dive

Lu and I got a place in SOMA in SF, which has been taking up a lot of our time lately. Part of this has been the fun and unexpected task of finding chairs and stuff so that we can rent it out when we travel or want to go somewhere else. Over night, we practiced Kees’ “scene diving” concept into the world of supermodern design.

So, I set my site scanning skills on stun and have been zoning in on some design blogs like Design Sponge andfreshome.

This is a cool gem I found on freshome.com today: A House That is Built in 1 Day.

If there are better design blogs that I’m not mentioning, please comment on this thread. I promise I’m not going to get all off-track with this life-blogging about arcane details of my life. The next big stop is figuring out China more…holla!

Backup Setup Advice + I Need Another Computer

In my continuing series of lazyweb posts, I’m seeking the best and easiest backup option for my house. What I want to do and what I should do is probably two different things.

So, I’ve got my home setup on a big APS power backup, purchased a couple of 200 GB ide hard drives, and need one final component, a cheap computer with lots of storage bays. My goal is to slap these hard drives (and more in the future) into a new-old box, and start running Dirvish to backup my main desktop (workbox), my main laptop (lifebook), and my gf’s G5 (deerbox).

Is this is sane approach? Also, where is the best place to get a cheap computer. I really don’t want to have to buy one at all, and thought I would just come across some cheap/free computer over the last couple of months, but am afraid of going into Frys and other tech stores (to be honest).

(BTW: I backup my computers by syncing the home folders between them, so that they have the same good stuff. Also, I have a portable drive I’ve been backup up my home folders up to, but have been bad in not doing a full system backup…)

The other approach I’m considering is to just to do encrypted backups to my webhost, Dreamhost. I have 200Gb of storage on there, sooooo, why not just store it there past the inital burst of the first rsync ;)

How can I set presence and have all software respond from gnome and/or xfce?

I want to be able to set my presence (or ideally have my computer figure this out with idle time, image analysis with camera, amplitude detection with mic/sound, etc) and have all apps across my free desktop on gnome or xfce react accordingly so I don’t have to set this in each application.

I also would like for my computer to know when the networking is unavailable and react accordingly. Yes, I know that the right way to do this is dbus, galago and support of applications for the right messages.

My question is, is there an applet to set this presence and/or is there a quick way to get this going generically and bonus points if good way(s) in gentoo?

The Best Book on Open Source Software Development Needs Translation

So, I just read Harold Welte’s blog post about the delays on OpenMoko and how it is basically a cultural issue. Their team has basically 4-5 Open Source hackers and a team of about 50-60 (I’m guessing slightly). Thus, most of these workers I’m assuming are in Taiwan and China and have rarely touched Open Source, nor have come into contact with the culture of Open Source development. Harold notes:

In the end (up to now) I have been doing tons of more things. I’ve been doing hardware related debugging, hot-fixing and consulting, providing lots of support for our internal development team, doing all the system administration, configuration and maintenance of our four physical and about 15 virtual machines (wiki, lists, gforge, svn, build server, etc.). Today I even spent a lot of time on web related issues [hey, I haven't done much web stuff since HTML4 and CSS1 came out], since we have committed to go public with our web sites public at some point.

We’ve had to teach people how to use request tracker, bugzilla, subversion, mailing lists, IRC. Those basic means of communication, natural for everyone ever involved in a FOSS project are all things that we had to bootstrap here.

Many of the things that are a complete given for me (and even us, the rest of the core team consisting of Sean, Werner, Mickey and myself) are not at all known, valued and/or respected [yet] by the various people and entities we had to relate in this project.

This problem is so very familiar to when I worked for Gopets in Korea. While my friends and colleagues there are some of my best friends, the economics and culture of Open Source had not struck. Thus, I spent so much of my time just helping people get up to speed on what is Subversion (how you need to check-in often), bugtracker (which no one used), and other forms of communication. It took much energy, but I slowly helped to convert a few people.

So, when I read Harold’s post about these issues, I immediately started to think about how to get more people into Open Source in Asia, particularly Mainland China and Taiwan.

First of all, nothing can stand-in for pure experience. But, for crash course cultural learning for developers and others, I think it should be mandatory learning to read Karl Fogel’s Producing Open Source Software book. Oh, and guess what, the book is released under a Creative Commons Attribution-Sharealike 1.0 license. So, not only is it available, all the sources are available. Thus, anyone could help translate this book.

So, my question out into the ethos is, do translations of this book exist? And, if not, would anyone out there in Taiwan and China be interested in helping to translate this book? I’m really serious, this endeavour would be of huge benefit to the world of Chinese and Taiwanese companies breaking into Open Source and for companies that have some form of outsourcing. Please comment on this post if you know of a translation and/or would like help translate this book. The sources are online, so we could submit a patch to Karl Fogel.

I just emailed Karl to see if he is into these things, as you can see:

Hi Karl, first of all, your book is a classic. I have a book that I’m putting out that deals with the issues you bring out so clearly, with relation to social sciences.

However, the reason I’m emailing you is to both say hi, from Creative Commons, as I see that you book is CC BY-SA licensed. I am the community developer/open souce developer/bizdev guy for them…so so happy to see your book is under cc license.

Also, I’m interested in translations of your book, particularly into Complex and Simplified Chinese? I want to help teach some people in China about Open Source, and your book is a must read.

Do translations exist, and if not, I’m advocating this. If translations get made, would you consider linking to them and or accepting them as patches to your SVN module?

This would be amazing for outsourcing companies, etc.

You are great.

Oh, on Open Source side I’m a core developer on Inkscape and Open Clip Art Library…

Cheers!

Jon

Degrees of Read-Write-ness: Free Ozzfest and Bands Touring the Web

On Wed, 2007-02-07 at 22:52 -0500, Katitza Rodríguez wrote:
>Dear all:
>
> Did you hear about Rontgenschall? It’s the first band that tours the
> Internet! Therefore they perform on blogs instead of stages! And today
> they are virtually rocking a Peruvian blog call at txitua.org! They have
> edited a nice video specially for their Peruvian and latino fans. They
> also sent a message to the artist community in Latin america encouraging
> them to use CC licenses. They did it in Spanish with subtitles in English.
>
> Rontgenschall is a German band has that you could know, not only through
> their cool music but also for their style, their stages, their creative
> videos and their different mechanism of social networking that they use
> to spread their work: Del.icio.us Bittorent, Jamendo.com, myspace,
> youtube, hi5 and they use German CC licence: Atributtion, non
> commercial, share alike.
>
> See the Peruvian performance In English at
> http://www.txitua.org/index.php/concert-blog-music/
>
> In Spanish at:
> http://pe.creativecommons.org/
>
> NEXT TOUR AT Portland Oregon (USA) for Drew at mohdi.com
>

Whoa, this is a pretty brilliant idea. I’m curious how this type of novel strategy and the Free Ozzfest plan this summer are going to play out. Obviously, the web-based performances are a lot more scalable, and possibly the beginning of a new trend. Also, the just-announced Free Ozzfest is an interesting test case as (that us on the web have helped pioneer) for application of free/open content and how to make money.

The curious thing though about both of these trends is that both are heavily read-favored rather than read-write (linking to a blog about this subject). Also, I would note that it is more useful to consider a degree of read-write-ness rather than read/write being in binary opposition. Obviously, one may consume a read-only performance and write back via blog comments and blog trackbacks (but I would argue that the response is not equal to the initial action/performance). Similarly, one consumes a live performance, as is the case of the Free Ozzfest, and can write back with much less impact than the initial read. For example, rock bands blaring on an atomized audience with limited capability where the initial blast is through a gigantic sound system versus an individual without an amp. If one wants feedback, they can scream or throw something, but can’t directly write back in an attempted equal action…

Anyway, sorry for my verbosity, it is curious how the metaphors and expressions being pioneered on the web are being remediated back into popular culture and now the music business. The important thing is that this is a great time of experimentation and am very curious to see how the Free Ozzfest will survive on ads and a supposed lottery system (which will undoubtedly bleed over into scalping on ebay, etc, depending on the demand for *free* tickets).

How will the ideas from Free Ozzfest and Rontgenschall remediate back into both spaces?

My Donation to ResonanceFM Possibly Denied

So, I saw Resonancefm.com, a great station in London that broadcasts experimental audio 24/7, is seeking donations. And, I decided to just donate 5 quid and plug my website with this. Simple. Here, read what they ask even:

Sponsor a word on Hooting Yard
Listeners can choose a sentence, a string of words, or a name to be included in a specially-written story to be broadcast on Hooting Yard on 14th February.
Here is how it works:

* 1. Donate a minimum of £5 to Resonance.
* 2. Email your selected sentence, phrase, name etc to me at hooting.yard@googlemail.com

Simple as that. Donors’ names will be read out on the show, too, unless anonymity is preferred. So donate now, and have your words linked with Dobson, Blodgett, Tiny Enid, or even with Mrs Gubbins herself! So far £11 has been pledged, but I want the final sum to be at least ten times that.

Ok, so here is my email I sent to them, after I donated 5 quid:

On 2/8/07, Jon Phillips wrote:
1.) Donated 5 quid to resonance through paypal
2.) Phrase: “Visit Jon Phillips’ website, rejon.org”
NOTE: I would rather just have my website linked to your website if possible.

Thanks for all that you do!

Jon

And, here is the response I received a couple of days later:

John

Thanks for supporting Resonance. But…

My feeling is that requesting what is basically a plug for your website goes against the spirit of the exercise. The idea is that people choose words they like, or that make them laugh. A blatant advertisement doesn’t fit in with that.

Please choose some other words or, alternatively, I can ask Resonance to return the donation.

XXXXX XXX (name obfuscated)

Now, how did I violate this call for submission? And, how can a station that supports experimental culture deny me on my performance work? Yes, while I’m basically just plugged myself and prefer to get a link on their site, I see no way how this violates the written statement I read, and the impetus for donating.

So, please comment on this if you think I’m in the wrong here.

If you all agree that I’m legit here, I’m going to press harder and if not, then I’ll shut my mouth and just donate. Otherwise, if they don’t go along with, then I’ll ban this station from my playlists (ok, probably not that extreme, as I still think its good to have them and will just give them the money anyway).